![]() Head to the Waves site and try this plugin out for 14-days and comment below what you guys thing of it overall. So in my opinion its worth a buy, but I'd wait for the blue-tooth dongle to be released to be able to take full advantage of this plugin. It performs well, and is probably as close as us producers, without high-end equipment, can get to a mixing room without having to blow the bank.įor $49 it's not a bad deal. It works well in all respects, does what it says it should, nothing mind blowing, and though it does seem a little bit gimmicky, if you're a bedroom producer and don't have 1) Really good room lighting or 2) $150 to pay for an add-on component, then don't get this plugin. At the very least, you’ll find it rather entertaining spinning the virtual speakers around your head.I just bought Waves' new Nx plugin which simulates a virtual mixing environment. Head over to, download the free 14-day demo, and give it a whirl. I reckon it’s a justifiable purchase even if only as a quick mix-checking device. Regardless of the regularity of your headphone usage, Nx is still a great ‘hearing aid’ to have tucked in the toolbox, for whenever monitors aren’t in reach. If you’re not a heavy headphone user, then it’ll scarcely make it beyond your plug-in menu.īut if you’re a laptop producer or engineer who works primarily on headphones, then maybe Nx will help provide that extra bit of objectivity in levels judgment and stereo spread to improve your mixing consistency. Personally, I’ve learnt over time how to compensate for the anomalies imposed by headphone mixing - so I can’t say Nx will revolutionise my production quality. In fact, it almost feels off-putting when you bypass the plug-in after an extended mix session.īut does it improve your mixes? It depends. Over a period of time, Nx lulls you into a sense of spaciousness that really does feel like you’re monitoring in a room. ![]() Head Tracking uses your computer’s built-in camera to follow your head movements for “enhanced realism.” Waves has really committed to this idea, even announcing a piece of hardware called Head Tracker that clips onto your headphones and pairs up with Nx to provide the same effect. The soundscape Nx creates is very reminiscent of a binaural recording - it’ll even present 5.1 surround mixes on cans! The Room Ambience controls let you alter the amount of reflections and trim the centre level. You can graphically adjust the virtual speakers’ width and position, and even place them behind your head. There are plenty of settings that let you tailor your virtual acoustic environment. The overall effect is the comparative ‘blurriness’ you’d get from hearing real speakers in a real room, and Nx manages to present this quite naturally. The stereo spread narrows, the centre image softens, and you’re transported into a world filled with pseudo-room reflections and artificial depth. Pop Nx onto your master bus and you’ll hear the difference immediately. Namely, a dramatically wide stereo image, unconventional amount of detail, lack of ‘crosstalk’ between left and right channels, and the absence of any room reflections mingling with the direct sound before arriving at your eardrums. Waves’ new Nx plug-in is designed to marry the paradigms of headphone and speaker monitoring by maintaining the convenience and privacy of headphones while rectifying the deceptive auditory world they put you in. ![]() Then I chucked it on some speakers and, to my dismay, the levels were all out of whack, effects were overblown, and anything panned centre was way too loud. I remember when I first tried producing a song entirely in cans - the track was bangin’, everything felt big and wide, the vocals cut through like a knife.
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